I HAVE MOVED

Hello, everyone. Thank you very much for reading CinemaSlants these few years. I have moved my writing over to a new blog: The Screen Addict. You can find it here: http://thescreenaddict.com/.

I hope you follow me to my new location! You can find an explanation for the move on that site now or on the CinemaSlants Facebook page.

Tuesday, May 1, 2012

Disc of the Week (5/1/12)



The January film landscape normally has the feel of a post-apocalyptic wasteland. All the awards bait and holiday blockbusters have stormed through town, leaving little resources for the January stragglers to follow. As a result, studios normally use the month to populate movie theaters with broad comedies, dumb action movies, and other forms of cinematic junk food. These movies normally stink, but this year brought us Steven Soderbergh’s Haywire, a film that would seem to be just another thriller on paper but in reality is an action film that defies many of the conventions we see in modern action films. Not a whole lot of thought went into the plot or character work, but the action scenes are tremendously well-orchestrated.


It all works because of the casting of Gina Carano as the lead. She may not necessarily be the best actor on the world, but she has the potential to be one of the better action stars in the world. Most movies of this ilk strain credulity because we are supposed to buy that these cleaned-up Hollywood actors are able to beat the crap out of all the villains that stand in their way. Carano winds all her battles because she’s just a better fighter, and this is (of course) owed to her background as an MMA fighter. Soderbergh wisely takes advantage of this by filming the action in long, patient takes, and her physical skill comes through. There is no shaky cam, and no gimmicks are used to manufacture excitement. It’s involving because what we’re seeing is pretty darn impressive.

As with other Soderbergh movies, many were put off by just how cold the proceedings felt, but I felt his approach worked just about perfectly. Haywire is a pretty dumb movie, but it least it’s a different and intriguing kind of fun.

The rest of the DVD and Blu-ray releases this week are just a bunch of movies that I haven’t seen and have no real interest in. There is New Year’s Eve, Garry Marshall’s latest attempt to make us stare at famous people for two hours and call it entertainment. There is also Madonna’s widely-panned W.E., about Wallis Sampson and a modern woman who is inspired by her story. Finally, you can kick back and relax as Dolly Parton and Queen Latifah make fun of each other in between musical numbers in Joyful Noise. Tell me how those three movies are, won’t you?

No comments:

Post a Comment