I am not against
re-releasing movies in theaters. On the contrary, I wish it happened more
often. It’s great that we have the opportunity to see just about everything on
our own time and on the devices we choose, but there will always be something about
seeing a movie in a theater that can not be replicated anywhere else. The
closest thing would be a darkened room at home with a nice television, but even
there you will find distractions that don’t exist in the cinema. Before going
in to see Jurassic Park 3-D on
Friday, I had never seen the film in a movie theater. In fact, that was the
only reason I even went. I did wish it wasn’t in 3-D—as I learned when I
(voluntarily!) went to see The Phantom
Menace in 3-D, these kinds of conversion jobs are normally terrible—but
there was something exciting about going out and seeing a movie I liked on an
IMAX screen with my phone off and all other distractions gone.
Spielberg’s old
blockbusters are great candidates for re-release, and in an ideal world they
would all end with a shot of Spielberg screaming “that’s how you do it, suckers!”
into camera and then dropping the mic. Most
folks around my age have not seen these movies on the big screen, and viewing them in
such an environment really makes one appreciate them on a whole new level. Just
last year the powers that be sent Raiders
of the Lost Ark out into IMAX theaters for another go, and it was awesome. (Note the lack
of 3-D.) It was another Spielberg film I’ve always loved, and when viewed in
IMAX it becomes even more obvious why so many people flocked to see it back
when it was released in 1981. Jurassic
Park and Raiders are both
action/adventure spectacles, and as such seeing them in cinemas is the best way
to experience them. For that reason alone I like the idea of sending them back
out there and giving people a chance to see them.
The one thing I
don’t like about these re-releases, however, are the aforementioned 3-D conversions. Here’s
the funny thing about movies that aren’t shot for 3-D: they make lousy 3-D
movies. Even then, it’s one thing to take a modern CGI-heavy movie shot in
digital and give it a conversion in post. (See: GI Joe: Retaliation and the like. Or don't see them.) Since those films are half animated
anyway it barely even matters. However, when you take a movie like Jurassic Park, which is shot on film and
uses far more practical effects than most modern blockbusters, at best the 3-D makes
the characters look like cardboard cut-outs acting out scenes with their
environment pushed backward ever so slightly. At worst there’s no change at
all. Sure, if you take your glasses off you might notice that Jeff Goldblum’s
face seems a little blurrier than normal, but the 3-D adds absolutely nothing
to the otherwise awesome Jurassic Park
experience. In fact, it probably hurts it far more than it helps. If you’re
planning on seeing Jurassic Park
during this period it’s back in theaters, see if you can find a place showing
it in 2-D. I’ve been told they exist.
Re-releases are a cash grab regardless, of course, but the 3-D just makes it even more
blatant. Not only are you paying the price of admission to see a movie you
could potentially see a million other places, but you’re paying the few dollars
on top of that as well. Plus, if you spring for the IMAX 3-D you can add a
couple more bucks. Unless the filmmakers have been able to crack the 3-D code
and create a truly awe-inspiring conversion, it’s probably not quite worth it.
And yet, I shall play devil’s advocate: maybe it’s necessary for them to add on the 3-D in
order to get people into the theater for the re-release. If they don’t do that,
it’s entirely possible audiences will just give it a miss because of a
dismissive “I’ve already seen it" mentality. In these days where human beings
can almost literally pull a movie they want to see out of thin air, it may be a
tough sell to get people into theaters to experience something they can potentially
see for free. However, that’s why I’m all for the IMAX re-release without 3-D
like we saw with Raiders. It’s a
gigantic screen that no one would be able to recreate at home without
considerable funding, and if you put the right movies out you may get a solid
enough audience. You won’t make a lot of money, obviously, but by doing it that
way you’ll be able to charge more than a normal ticket without completely
wrecking everything with lousy conversions.
So what films
should be re-released in IMAX or otherwise? As much as I like the idea of
seeing more intimate classics on a big screen, I think it’s probably best they
stick with the spectacle-heavy crowd-pleasers. While I did not see Titanic again when it got its 3-D
re-release, that’s exactly the kind of film that should make the rounds every
once in a while. For people who never had a chance to see “the classics” on the
big screen, regularly putting one out there for public consumption could be
just what the doctor ordered. I don’t know entirely how this all works, but I
almost like the idea of a third-party distributor stepping in and taking care
of everything. (Basically, a theatrical Criterion Collection-type deal.) It
probably would not be cheap, and it almost certainly will never happen, but a boy can
dream. It should also be noted that some theaters will occasionally show old
movies again on their own, be it an independent screening or something they
arrange with their chains. It doesn’t happen too often, but if this is
something that interests you be sure to keep an eye out.
You’ll notice I
didn’t actually talk all that much about Jurassic
Park in this post. That’s because the movie is the same as it ever was, and
even through the annoyance of the 3-D I was able to enjoy the film immensely.
(There was also a solid 20-minute power outage during the first act, which
somehow resulted in the audience staring at a still frame
of Laura Dern’s backside for five minutes or so.) If you like Jurassic Park, you will probably enjoy
seeing it again in any format. It remains a masterfully directed special
effects film that doesn’t have a ton in the way of plot, but that’s more than
made up for in Spielberg’s ability to play the audience like a fiddle. He’s a filmmaker that always seems to know what he’s doing, and Jurassic Park is no exception. I think
he’s got a future in pictures, this kid.
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